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WHOPAINTS, Winter Harbor , MAINE

Painter, Teacher, Artist, Business Owner, story teller

My Website :  http://www.whopaints.com
Paid Member
 
   
Creative Works  
There are different aspects to my work. I am a visual story teller using Western Watercolor, Pastel and Asian Ink Paintings to tell tales about parenting and life in Downeast Maine. The liquidness of watercolor conveys mist seeping, sea fog rising, kids squishing through mud puddles. Pastel carves out the 3d in 2d space -layered clouds, depths in storm tossed seas. Asian Ink's immediacy captures the flowers, the cliffs, the wildlife. For this latter medium I use classic Japanese and Chinese supplies including raw suen paper, ground sea shells, vegetable colors and sumi ink.
Teaching is also a very important part of my art. Working with others, sharing my knowledge and know how, is critical to my own growth.Before I teach a lesson, I review the material by practicing those skills I will share that day. The act of teaching, questioning and helping others develop the skills necessary to depict their visions, continuously opens doors for my own work
Teaching the Japanese language and philosophies then integrating and wedding East and West aesthetics is another key aspect of how I see and therefore what I paint and teach.
As a Quaker Business woman, my business practices are rooted in life values. I am committed to keeping original art affordable and accessible. Instead of relying on reproductions for inventory, I work 8-10 hours a day painting. This continues to hone skills and vision. Using the Quaker Testimony of Simplicity to make decisions, I keep prices down by recycling, reusing and avoiding extemporaneous equipment.
My ultimate goal is to be rooted in my community by creating in my studio work spaces for folks to come explore the visual arts and having social gatherings to look at and explore art.

   
My Gallery  
   
Current Projects  
I am working on developing a curriculum teaching visual art. It is a two fold program. On the one hand there is the working with folks to draw out their visions. This is done by  building the habit of keeping a sketchbook in which  visceral and emotional reactions are recorded. This along with on going discussions about art and also having one's own art viewed by others helps in the articulation process of vision.

Hand in hand with this is the development of skills. So often when folks come to learn and I ask, what do you want to achieve, it is the lack of fundamental skills which is preventing them from expressing themselves in the way they want. Therefore, the other part of this program is building skills beginning with drawing. A good drawing class really teaches how to 'see'. It cuts away the misconceptions or the habits of seeing we have formed.

A part of this project is creating a community fine art center. I hope the studio will be a place for folks to come to work on drawing ( eventually I hope to have plaster casts and other equipment for pursuing the art of drawing) as well as centers supplied with materials.  so folks can try different mediums before making the huge investment themselves.

   
My Ideas  
My Idea being a community artist  (Comments:0)
   
Association  
My current associations are:
Designing Women- This is a non-profit organization which hosts shows for women artists. Proceeds from the shows go to folks in need. For example, a show in Portland provided monies for Rural Women Health in the DR. A show in Kennebunkport supports the local library.

Acadia Partners for Science and Learning- An organization the mission of which I deeply believe. It is a non profit working to develop science research and education to help us understand the natural environment of Maine. It is also associated  with and embedded in Acadia National Park.

United Maine Craftsman- This organization brings Maine artists together for shows as well as through passing around information about Maine economy and education.

Downeast Women - An organization started by Susan Bennet working to promote business woman of  Downeast Maine.

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